January 15, 2010  |
Upcoming Exhibition, Symposium Explore the Territorial Period 1803 - 1812
October 6, 2009 - May 2, 2010 |
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Times: Tuesday - Saturday 9:30 am – 4:30 pm; Sunday 10:30 am – 4:30 pm
http://www.hnoc.org
Location: Williams Gallery, 533 Royal Street
Phone: (504) 523-4662
On December 20, 1803, the Louisiana Purchase was signed, confirming the transfer of the former French colony to the United States. Statehood, however, was not immediate. For nearly 10 years, Louisiana was entrenched in a turbulent period, rife with political disputes and culture clashes. The exhibition Between Colony & State: Louisiana in the Territorial Period, 1803-1812, and its companion online component, examines the people, places, and events that shaped this fascinating period. Highlights include manuscript maps, newspapers from the period, and artists' depictions of life during this time.
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Vieux Carré Matinées
December 1, 2009 - March 30, 2010 |
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Times: Tuesday–Saturday from 11:30 a.m. to 1:30 p.m.
http://www.hnoc.org
Location: 616 St. Peter Street
Phone: (504) 522-2081
Admission: free
The Historic New Orleans Collection and Le Petit Théâtre du Vieux Carré announce the launch of Vieux Carré Matinées, a series of free films and tours celebrating Louisiana’s rich history and culture. Vieux Carré Matinées are now being offered every Tuesday–Saturday from 11:30 a.m. to 1:30 p.m. Many of the films were produced for past exhibitions at The Collection and address topics such as the Battle of New Orleans, Creole cooking, and visual artists of New Orleans. Prior to the films, patrons will be given a brief tour of the theatre’s facilities and history. Both the tour and the films are free and open to the public.
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Ongoing: Vieux Carré Matinées
December 22, 2009 - December 31, 2010 |
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Times: 11:30am-1:30pm
http://www.hnoc.org/?p=1434
Location: LePetit Theatre, 616 St. Peter Street
Phone: (504) 523-4662
Admission: free
The Historic New Orleans Collection and Le Petit Théâtre du Vieux Carré are proud to present Vieux Carré Matinées, a series of free films and tours celebrating Louisiana’s rich history and culture. Vieux Carré Matinées are now showing every Tuesday–Saturday from 11:30 a.m. to 1:30 p.m. The program opens with a brief tour of Le Petit Theatre, the nation’s oldest continuously operated little community theatre. Following the tour, patrons will have an opportunity to view one of 10 films, many of which were produced in part by The Collection. Each film addresses a different aspect of the region, including the Battle of New Orleans, Creole cooking, and visual artists of New Orleans. Both the tour and the films are free and open to the public.
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NOMA celebrates ¡Sí Cuba!
January 6, 2010 - March 28, 2010 |
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http://www.noma.org
Location: New Orleans Museum of Art
Phone: (504) 658-4100
Admission: Louisiana residents with valid photo ID: Adults, $8; Seniors (65 and up), $7.50; Child 3-17, $5; Child under 3, Free. Out-of-state visitors: Adults, $16; Srs (65 and up), $15; Child under 3 free
The New Orleans Museum of Art (NOMA) is proud to participate in "¡Sí Cuba!" a major citywide presentation of arts, music, and culture related to Cuba taking place in New Orleans January through April 2010. ¡Sí Cuba! is a collaborative venture between museums, universities, galleries, and other arts organizations in New Orleans, co-organized by NOMA, Newcomb Art Gallery, and the Stone Center for Latin American Studies at Tulane University. NOMA's participation in ¡Sí Cuba! includes two exhibitions: Luis Cruz Azaceta: Swimming to Havana, a solo exhibition of paintings and Polaridad Complementaria: Recent Works from Cuba, a traveling show organized by the Centro de Arte Contemporáneo Wifredo Lam, Havana. Polaridad Complementaria will be co-presented at the New Orleans Museum of Art and the Newcomb Art Gallery at Tulane University.
The solo exhibition Luis Cruz Azaceta: Swimming to Havana will feature a suite of new paintings, all from 2009. The phrase "Swimming to Havana" proposes the impossible as no unassisted human is capable of traversing ninety miles across the Caribbean Sea from Florida to Cuba. Yet it is a journey said to have taken place countless of times in the minds of Cubans wishing to reach the United States, and Cuban immigrants dreaming of returning home. In his suite of new paintings, Azaceta invites viewers to undertake their own imaginative journeys through his imagery. These paintings explore the idea of "crossing over" in myriad ways: between abstraction and figuration, between geometric and organic forms, between Cuban and American culture, and between the historically linked cities of New Orleans and Havana.
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Big Freedia's Hookah Bounce
January 7, 2010 - January 2, 2014 |
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Times: 10:00 pm
http://hookahbounce.com
Location: The Hookah, 309 Decatur St
Phone: (504) 943-1101
Admission: $5.00
Every Thursday Big Freedia and DJ Rusty Lazer along with other local bounce artists hit the stage at The Hookah. If you're wondering what is bounce, here is what Wikipedia has to say about Bounce Music: Bounce music is an energetic style of "New Orleans hip hop" music which is said to have originated as early as the late 1980s, but is typically believed to have begun with the 1991 single "Where Dey At by MC T.Tucker. A highly influential cover of "Where Dey At" was also released by "DJ Jimi in 1992.
Bounce is characterized by "Call and response" style party and Mardi Gras Indian chants and dance call-outs. These chants and call-outs are typically sung over the Triggerman beat, which is sampled from the song "Drag Rap" by the Showboys, or Brown beat, which is sampled from Derek B's "Rock The Beat". The sound of bounce has primarily been shaped by the recycling and imitation of the "Drag Rap" sample: its opening chromatic tics, the intermittent shouting of the word "break", the use of whistling as an instrumental element (as occurs in the bridge), the "drag rap" vocals and its brief and repetitive melody and quick beat (which were produced with use of Synthesizers and drum machines and are easily sampled or reproduced using like-sounding elements).
The genre maintains widespread popularity in New Orleans, LA and the southern United States and has a more limited following outside of the Deep South. Throughout this decade, the "Take Fo'" record label has dominated the genre with artists such as "DJ Jubilee and "Willie Puckett." Katey Red, "Big Freedia" and "Sissy Nobby have also made significant contributions.
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